1699-1779 French Jean Baptiste Simeon Chardin Locations Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Acad??mie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Acad??mie Royale de Peinture et de Sculpture. The following year he ceded his position in the Acad??mie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn??s, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn??s had died as well. The Ray, 1728, Mus??e du Louvre, Paris.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a dedicated academician, regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Ang??lique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin work. Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of replicas of previous works. In 1763 his services to the Acad??mie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Acad??mie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.[8] By 1770 Chardin was the Premiere peintre du roi, and his pension of 1,400 livres was the highest in the Academy. In 1772 Chardin son, also a painter, drowned in Venice, a probable suicide. The artist last known oil painting was dated 1776; his final Salon participation was in 1779, and featured several pastel studies. Gravely ill by November of that year, he died in Paris on December 6, at the age of 80.  Related Paintings of Jean Baptiste Simeon Chardin :. | Tea lady | Boy Playing with Cards | The Grace | Girl Peeling Vegetables | Birdie and woman |
Related Artists:
Pieter Claesz
Dutch 1597-1660 Pieter Claesz Locations Dutch painter of German birth. He apparently spent his entire career in Haarlem, where he specialized in still-life paintings. Well over 100 works survive, dating from 1621 to 1660. Most of his pictures are dated and monogrammed PC. Since those initials were shared by the Antwerp still-life painter CLARA PEETERS, several attributions are disputed.
Andien de Clermont
Andien de Clermont (d.1783) was a French artist who worked in England in the 18th century (ca.1716-1756). He was particularly known for his decorative flower paintings in the Rococo style, and for "singeries, chinoiseries, and turqueries." He decorated interiors at Kirtlington Park, Langley Hall, Wentworth Castle, Wilton House, and "the second earl of Strafford's (now destroyed) dining room at No. 5 St. James's Square, London."
Marquet, Albert
French Fauvist Painter, 1875-1947 .French painter and draughtsman. In 1890 he was taken by his family to live in Paris so that he could study drawing at the Ecole Nationale Superieure des Arts Decoratifs. There he met Henri Matisse, with whom he formed a lasting friendship and with whom he studied from 1894 to 1898 at the Ecole des Beaux-Arts under Gustave Moreau. In the Louvre, Marquet made copies after Poussin, Velezquez, Claude Lorrain and particularly Chardin, of whose House of Cards he produced copies in 1894 and 1904